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Rycote Softie Duo-Lyre Mount W/Mhr
InVision Softie Lyre Mount MHR
Product Code: 037324
Suitable for shotgun microphones from 19-25 mm in diameter
Main Benefits:
Although many camcorders have built-in or add-on microphone holders or clamps allowing users to attach high-quality shotgun or rifle mics to their camcorders, these are susceptible to camera and general handling noise, and do little or nothing to attenuate vibrations passing through connected video and microphone cables. The new Softie Lyre Mount with MHR replaces built-in or accessory camera mounts or clamps, and is supplied with three sets of metric screws (20mm-long M2.5, M3 and M4 types), allowing the mount to be connected directly to many common camcorders, such as the Panasonic DVX-series, Sony NXCAM, DSR, HVR, PMW and HDR-series, and many Canon X-series models.
The mic clip, based on Rycote’s established and patented Lyre technology, accommodates mics from 19 to 25mm in diameter and up to 300mm in length (including the slab-sided Sennheiser MKH range). The virtually indestructible W-shaped Lyre clips are made of hard-wearing, heat-resistant thermoplastic, and do not perish like elastic suspension systems. In the Softie Lyre Mount, they dramatically reduce the effects of the unwanted vibrations that can reach the mic capsule in undamped mic suspensions and are heard as noise, whines or low-frequency thumps. On a camcorder, the Softie Lyre Mount is particularly effective at reducing or eliminating lens motor and cable-borne noise. The mount can be rotated and tilted freely on any axis, and may be stored in bags with a mic still fitted. The mount can also be removed quickly should it be required, leaving the MHR in place on the camcorder.
Tech Specs
Suitable for shotgun microphones from 19-25 mm in diameter
Compatibility – https://mymic.rycote.com/products/invision-softie-lyre-mount-mhr/#compatibility
MyMic – https://mymic.rycote.com/products/invision-softie-lyre-mount-mhr/
Tiffen 82mm Variable ND-WW
The 82mm Variable Neutral Density Filter from Tiffen offers a unique way of maintaining total control over your depth of field as well as presenting an efficient way to create some special effects. The filter is designed with a built-in rotating ring that controls neutral density ranging from 2 – 8 stops (0.6- 2.4). The heavier the density, the slower your shutter speed will be. This longer exposure allows the shutter to remain open long enough to record the same amount of light but will also create movement within the shot. Another major benefit of this filter is the elimination of having to buy and carry around individual neutral density filters. With this one filter, you can rotate to the degree of ND you want – a real time and money saver.
Simply mount the filter on your lens, set it to “Min” density then frame and focus. Care must be taken with focusing at heavier densities to make sure focus is accurate. However, if it isn’t, switch to manual focus and rotate to the desired degree of filtration.
For example, if your standard exposure without the filter is 1/500 @ f/8 and you then set the filter to “Min”, you change the shutter speed to 1/125 at the same aperture – thereby losing 2 stops of speed while gaining a hint of “blur” in the image. If that’s not enough filtration, continue rotating the filter until you reach the shutter speed you desire. Using the above example, you can even get down to 1/2 second @ f/8 (8 stops). It should be noted that the calibration marks on the filter ring are to be used only for reference and should not be regarded as accurate settings for specific densities.
A Neutral Density filter is used to create some unusual special effects such as capturing the “blur” of the rippling water of a waterfall or the swirling effect of city traffic. Since it allows the use of slower shutter speeds in bright light, it becomes possible to create these special effects that would normally not be possible to capture without the filter. And, since it can also help to control your depth of field, it permits you to shoot at wider apertures. Ultimately, its value is in helping to prevent bright, overly washed out images shot in bright light.
The ColorCore process allows Tiffen to control the color and density of their filters, and the characteristics of special effects filters with much greater accuracy than typical dyed-in-the-mass filters, which usually exhibit color and density variations. In this way, Tiffen can better control the various densities of their filters and thereby create more exact degrees of filtration.
Thin Profile Ring (9mm) – The wider front filter ring helps reduce the possibility of vignetting (the darkening of corners) at wide angle and is not deep enough to accommodate a lens cap
It allows you to have continuous control over the amount of light coming through your lens in an approximate range of 2 (ND 0.6) to 8 (ND 2.4) stops
Rycote Rode Videomic (Original & Lyre) Mini Windjammer
Rode VideoMic (Original & Lyre) Mini Windjammer
Product Code: 055459
Suitable for the Rode VideoMic (Original & Lyre)
Main Benefits:
The Mini Windjammer for the Røde VideoMic Original with Rycote lyre onboard provides excellent wind isolation for capturing audio in high-wind environments. Made from high-quality synthetic fur specifically designed for wind isolation, easy-to-fit slip-on fur covers for use when recording outside with the built-in microphones found on portable cameras, external camera mics and handheld reporter microphones.
Some of our Mini Windjammers have 10 mm fur, while others have 25 mm Softie fur for use in more unsettled conditions, and can be fitted to a wide variety of devices.
Note: This Mini Windjammer is specifically designed for the Røde VideoMic Original with Rycote lyre onboard.
Compatibility – https://mymic.rycote.com/products/rode-videomic-original-lyre-mini-windjammer/#compatibility
MyMic – https://mymic.rycote.com/products/rode-videomic-original-lyre-mini-windjammer/