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Lowepro LP37117-PWW Nova 140 AW II
Our iconic Nova camera bag continues to evolve to protect the latest in camera technology. The newest edition of this timeless camera shoulder bag maintains premium protection from the elements for a mirrorless camera or compact DSLR camera with attached 17-85mm lens plus flash or compact photo drone.
Manfrotto 200PL-PRO 200PL Plate Aluminium RC2 and Arca-swiss compatible
This full aluminium plate is ideal for quickly attaching cameras onto the world’s most widespread standard head attachments: Manfrotto RC2 and Arca-swiss style. It enables photographers to fix their camera to any Manfrotto head (*) and almost all tripod heads on the market featuring Arca-style attachments, rapidly and effortlessly, with no need to disassemble components.
The 200PL-PRO makes it possible to always change heads smoothly, without worrying about the plate.
The 200PL-PRO plate is easily attached under the camera by rotating a special flip with one’s fingers, a coin or the Allen key provided. Just rotate the specially designed flap and slot it right onto your camera.
The two rubber grips help you manoeuvre your camera, keeping it firmly even on the most angled shots, so you no longer need to worry about slips or wobbles
The 200PL-PRO features a 1/4″ screw attachment and a 3/8″ adaptor enabling you to pair this plate with a variety of products and camera models. This means you always have the right photo plate in your kit for any job.
Despite its solid aluminium construction, the 200PL-PRO plate weighs just 38g and supports up to 10kg of gear.
The plate might not working properly if any extra safety pin is mounted on the head attachment. We suggest to remove it for proper and safe use.
(*) The plate is not compatible with 804RC2, MH804-3W
Rosco Calcolor Cyan 30 Gel Roll 1.22m x 7.62m
The series includes the primary colors Blue, Green and Red, along with the secondary colors Yellow, Magenta and Cyan followed by Pink and Lavender.
Each color is designed in four densities: 15, 30, 60 and 90, corresponding to the familiar 1/2, 1, 2 and 3 stop calibrations.
In color photography, three light-sensitive emulsion layers separately record the individual blue, green and red components of the spectrum.
CalColor filters adjust the transmission of these color components at the individual light source in a familiar and reliable manner.
As a result, the cinematographer can exercise selective and predictable control over the image’s coloration as rendered by the film.