Blackmagic Design URSA Cine EVF

Cine 7 is a top of the line professional 7″ monitor with included Sony Venice camera control. It’s 1800 nit, daylight viewable display and 100% DCI-P3 coverage make this monitor an absolute joy to work with, in any production environment.

Cine 7 offers the durability and flexibility required by demanding professionals. With a lightweight milled aluminium frame and several 1/4″-20 mounting points, the 7inch monitor is ready to perform on any rig and in any environment. Cine 7 includes several 3G-SDI and HDMI inputs and outputs, as well as signal cross conversion. Power options include a locking 2-pin connector and interchangeable battery brackets (Gold, V, and Sony L series). An Ethernet port allows for camera control connectivity.

The lightweight Touchscreen On-Camera Monitor provides professional monitoring in a sharp 7″ IPS LCD with 1920 x 1200 resolution, 10-bit colour processing, 1000 cd/m² brightness, 1000:1 contrast ratio, touchscreen control, and updated SmallHD PageOS 4 firmware. It features HDMI and 3G-SDI inputs and outputs, and it supports up to UHD 4K video input via HDMI.

The INDIE 7 is powered using the included L-series battery plate or using the 2mm barrel input with a DC adapter. It can also be powered using separately available Gold mount or V-mount battery plates. An SD card slot allows you to import custom 3D LUTs and a micro-USB port to provide upgrades to the display. Four 1/4″-20 threads allow you to mount the monitor in a variety of configurations. The 3.5mm headphone jack allows you to monitor the embedded audio from the HDMI or 3G-SDI inputs.

Blackmagic Video Assist 5” 12G HDR adds professional monitoring and recording to any SDI or HDMI camera in all HD, Ultra HD, 2K and 4K DCI formats! The super bright 2500nit 5 inch HDR monitor supports 3D LUTs and features professional scopes along with powerful focus assist and exposure tools that help you accurately set focus, exposure and frame shots. The built in SD card recorder save files in broadcast quality 10‑bit 4:2:2 ProRes or DNx formats. The files are all standard, so you can start editing immediately without having to convert them!