Fiilex Q3 Colour 90w LED Fresnel

Godox has put together this expansive S60 LED Focusing 3 Light Kit to offer you a complete setup with a 6 to 55° variable beam focus backed by control and power options. The kit has three S60 daylight heads, each with barndoors, a controller, and a light stand. There’s also a bag for the stands and two softboxes. For when you want to do everything from selective lighting to pattern projection, a Projection Attachment with an 85mm lens and literally all of its attachments is included. The extensive list includes a framing shutter, a gobo set and holder, a color effects filter set, and a color temperature filter set. Godox also includes an RC-A6 wireless remote control with a 50m range.

Lishuai 50D Micro moonlight system.

The 50D is tiny but packs a punch.  It uses a Taiwan manufactured LED COB chip that allows the highest quality of light but with industry best resistance to light falloff over the life of the head.  Output is 9700 LUX at 1 metre with a standard reflector.  Amazing Value for money and Quality from a brand that is used widely in TV studio’s around the world.  Lishuai lights are used by many Australian broadcasters, at events such at the AFL, Tennis and recent winter olympics.

The 50D can be run from two optional NPF style batteries with a holder as well as the included 240 volt power pack.  It uses its own proprietary mount but also includes a Bowens adaptor for attaching the huge range of accessories available for this mount style.

The FS-200 LED from NanLite is a monolight style light fixture with remarkable light output relative to its size.

The Nanlite FS-200 LED light uses the industry-standard Bowens light modifiers, making it easy to soften or focus the light, to provide a wide range of lighting effects. The ability to shape the light makes the FS-200 ideal for portraiture, product photography, and in-house video production.

How bright are they?

In our tests using a pair of FS-200’s in the Nanlite 60 x 90cm softbox, we were able to shoot a single person portrait with the following camera settings F8, 1/125s, ISO 1000. For a group portrait, where the lights further from the subjects, we were able to shoot a group of 4 standing side-by-side with the following camera settings F8, 1/125s, ISO 1250.