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Godox P68 Parabolic Light Focusing System Kit
Indirectly Mounted to Flash or LED Video light
Focus able versatility a distinctive way to shape your light
70cm Indirect Focus able Softbox
Small Adapter Ring
Pushing& Pulling at Ease
Twist to Release
Bowens mount included
24 Braces
Parabolic Shape
Long Throw Capability
Chauvet DJ SlimparPRO W USB White LED Par Can
The Chauvet DJ SlimparPRO W USB is a professional variable white LED parcan / wash light. Designed with 12x tri-colour diodes with a cool white, warm white, and amber for the perfect white and colour temperature for any applications.
Rode VideoMic PRO Compact On-Camera Shotgun Microphone
The RODE VideoMic Pro is a professional, on-camera condenser shotgun microphone. Designed to deliver clear, crisp, and directional audio, the VideoMic Pro is perfect for your DSLR/Mirrorless camera or audio recorder. While the integrated Rycote-Lyre-based shock mounting system isolates the VideoMic Pro capsule and electronics from its all-metal shoe mount. Providing isolation from external factors that could cause unwanted rumble and vibrations within the microphone. Constructed from a single piece of thermoplastic, the Lyre shock mount provides superior acoustic suspension. Unlike traditional elastic solutions, the VideoMic Pro will never wear out, sag or snap.
The RODE VideoMic Pro directional on-camera shotgun mic is designed in Australia and covered by RODE’s industry-leading 10-year warranty. While also remaining the most popular on-camera microphone in the well-respected range of video mics. Including the VideoMic Go, VideoMicro, the VideoMic, and the VideoMic Pro Plus.
Supplied with a 3.5mm stereo mini-jack (dual mono) for connecting to your DLSR or video camera. As well as the Rycote Lyre shock mount, and a built-in foam windscreen.
Overall, the Rode VideoMic Pro shotgun mic is perfect for aspiring filmmakers and videographers. Along with anyone wanting to capture audio for camcorders, DSLR, and portable recorders as a source of primary and reference audio.
Tiffen 58mm Variable ND-WW
The 58mm Variable Neutral Density Filter from Tiffen offers a unique way of maintaining total control over your depth of field as well as presenting an efficient way to create some special effects. The filter is designed with a built-in rotating ring that controls neutral density ranging from 2 – 8 stops (0.6- 2.4). The heavier the density, the slower your shutter speed will be. This longer exposure allows the shutter to remain open long enough to record the same amount of light but will also create movement within the shot. Another major benefit of this filter is the elimination of having to buy and carry around individual neutral density filters. With this one filter, you can rotate to the degree of ND you want – a real time and money saver.
Simply mount the filter on your lens, set it to “Min” density then frame and focus. Care must be taken with focusing at heavier densities to make sure focus is accurate. However, if it isn’t, switch to manual focus and rotate to the desired degree of filtration.
For example, if your standard exposure without the filter is 1/500 @ f/8 and you then set the filter to “Min”, you change the shutter speed to 1/125 at the same aperture – thereby losing 2 stops of speed while gaining a hint of “blur” in the image. If that’s not enough filtration, continue rotating the filter until you reach the shutter speed you desire. Using the above example, you can even get down to 1/2 second @ f/8 (8 stops). It should be noted that the calibration marks on the filter ring are to be used only for reference and should not be regarded as accurate settings for specific densities.
A Neutral Density filter is used to create some unusual special effects such as capturing the “blur” of the rippling water of a waterfall or the swirling effect of city traffic. Since it allows the use of slower shutter speeds in bright light, it becomes possible to create these special effects that would normally not be possible to capture without the filter. And, since it can also help to control your depth of field, it permits you to shoot at wider apertures. Ultimately, its value is in helping to prevent bright, overly washed out images shot in bright light.
The ColorCore process allows Tiffen to control the color and density of their filters, and the characteristics of special effects filters with much greater accuracy than typical dyed-in-the-mass filters, which usually exhibit color and density variations. In this way, Tiffen can better control the various densities of their filters and thereby create more exact degrees of filtration.
Thin Profile Ring (9mm) – The wider front filter ring helps reduce the possibility of vignetting (the darkening of corners) at wide angle and is not deep enough to accommodate a lens cap
It allows you to have continuous control over the amount of light coming through your lens in an approximate range of 2 (ND 0.6) to 8 (ND 2.4) stops
Neutral Density Filters Have Four Main Uses
To enable slow shutter speeds to be used, especially with high speed ISOs, to record movement in subjects such as waterfalls, clouds, or cars
To decrease depth of field by allowing wider apertures to be used, which helps separate subjects from their background
To decrease the effective ISO of high speed film (above ISO 400) and allow it to be used outdoors in bright situation
To allow cine and video cameras (which have fixed shutter speeds) to film subjects such as snow, sand or other bright scenes which could cause overexposure
ColorCore Technology
The ColorCore process allows Tiffen to control the color and density of their filters, and the characteristics of special effects filters with much greater accuracy than typical dyed-in-the-mass filters, which usually exhibit color and density variations. In this way, Tiffen can better control the various densities of their filters and thereby create more exact degrees of filtration
Tiffen, a leader in the filter industry, proudly makes its filters in the USA and backs up its products with a solid 10-year warranty