Arri L10-C LED Fresnel Hanging blue/silver

Adopting the familiar, intuitive monolight form factor, the Bi-Colour Zoomable LED Video Light from Godox has a variable beam spread of 20 to 65 degrees to suit your subject or effect you’re going for. It has variable colour too from 2800 to 6500K with a high CRI/TLCI rating of 97/96 for advanced accuracy in colour rendering. The light dims from 0 to 100%, and while you can make these changes locally on the fixture, you can also make them wirelessly at distances of 50m with an optional remote control or a free app. The light has 32 channels and 16 groups to ensure interference-free shooting. It also has a silent fan with an on/off switch for sound-sensitive situations.

Eight built-in special effects include Flash, Lightning Broken Bulb, TV, Candle, Fire, Fireworks, and SOS. The light comes with a reflector, a lamp cover, and a frosted cover. It is ready for worldwide use via its 100 to 240 VAC power supply.

The Light Storm 1200d Pro is the flagship Light Storm product and the brightest fixture in the Aputure and Light Storm line-up. It utilizes a 1200W Daylight COB chipset to compete on the same level as industry-standard HMI Lights, with a staggering 83,100+ lux output at 3 meters with the Hyper Reflector (Narrow).

The LS 1200d Pro is the first and only Bowens Mount LED on the market with a 1200W COB, making it the highest output LED fixture compatible with Bowens Mount modifiers like Aputure Light Dome soft boxes and Lanterns. the LS 1200d Pro can also be accompanied by Bowens Mount soft boxes made by manufacturers such as DoPchoice and Chimera Lighting.

To adapt the output and beam angle of the Light Storm 1200d Pro to your shooting scenario, the 1200d Pro kit includes 3 different Hyper Reflectors optimized for the size of it’s COB.

With exceptional colour accuracy measurements of CRI ≥96, TLCI ≥98, CQS≥95, and SSI (D56) ≥73, the 1200d Pro provides consistently accurate light quality for all filmmakers.

The FS-200 LED from NanLite is a monolight style light fixture with remarkable light output relative to its size.

The Nanlite FS-200 LED light uses the industry-standard Bowens light modifiers, making it easy to soften or focus the light, to provide a wide range of lighting effects. The ability to shape the light makes the FS-200 ideal for portraiture, product photography, and in-house video production.

How bright are they?

In our tests using a pair of FS-200’s in the Nanlite 60 x 90cm softbox, we were able to shoot a single person portrait with the following camera settings F8, 1/125s, ISO 1000. For a group portrait, where the lights further from the subjects, we were able to shoot a group of 4 standing side-by-side with the following camera settings F8, 1/125s, ISO 1250.