25deg Field Angle
Attaches to Any Orbiter Color Version
Even Spotlight
Motorized Focus Adjustment
Local or Remote Focus Control
Manually Adjustable Shutter Blades
$4,125.00
The Orbiter 25deg Projection Optic from ARRI allow for the crisp projection of a light spot, as well as gobo projection and precise shutter cuts. It has no visible hot spot or drop to the edge and features a standard iris slot. Thanks to the LiOS 2 operating system, the focus can be controlled locally via Orbiter’s Control Panel, or remotely by DMX/RDM or IP based (ArtNet or sACN). Once set, the focus is kept in place and not subverted by locking the lens tube into place. A standard B-size metal or glass gobo can also be added. The genuine ARRI gobo holder is made to keep the gobo securely in place and the produced gobo pattern is clearly visible. Any focus adjustment between gobo and shutter is barely necessary; focus adjustment between gobo and open gate is not necessary at all. Additional ARRI accessories like a snoot or color filter frames can be added in front enabling fine-tuning when needed. The Orbiter Projection Optics are a great addition to the already existing Orbiter Fresnel Lens 15-65deg
Made for shooting in the field without access to AC power, the Godox SLB60W LED Video Light is a battery powered LED fixture with a 246 x 120 x 127mm monolight form factor. The SLB60W has a color temperature of 5600K, making it ideal for seamless blending with other daylight-balanced fixtures, shooting outdoors or in venues with large windows. CRI/TLCI ratings are 93 and 95, indicating an accurate rendition of color.
With a built-in, 16 channel, 6 group receiver running on the 433 MHz frequency, the SLB60W is dimmable from 10 – 100% locally on the fixture, but also at distances up to 20m thanks to the optional of a wireless remote. The remote gives you control over both light intensity and channel and group selection.
The SLB60W’s lithium-ion battery will give you 60 minutes of run time on a full charge and you can charge a spare while shooting with a topped-up battery. There’s also an optional AC power source for shooting in the studio or in places with available mains power. The SLB60W is stand mountable and has a Bowens front accessory mount, making it compatible with accessories from the many manufacturers who use this popular mount.
Zoom RGB Bi Colour LED Video Light has a variable beam spread of 20 to 65 degrees to suit your subject or effect you’re going for. It has variable color too from 2800 to 6500K with a high CRI/TLCI rating that’s your assurance of advanced accuracy in color rendering. The light dims from 0 to 100% as well, and while you can make these changes locally on the fixture, you can also make them wirelessly at distances of 164′ with an optional remote control. The light has 32 channels and 16 groups to insure interference-free shooting. It also has a silent fan for sound-sensitive situations.
Added to these impressive features is the Zoom’s RGB mode with Hue, Saturation, Intensity and Magenta/Green control that gives the shooter access to 36,000 custom colors. Yet another user perk is the 13 built-in special effects that include RGB Cycle, Flash, Laser, Lightning, Broken Bulb, TV, Candle, Fire, Fireworks, Police Car, Fire Truck, Ambulance and SOS. The light comes with a reflector, lamp cover, and a carrying case. The Zoom RGB LED Video Light is ready for worldwide use via its 100 to 240 VAC power supply.
Use this S60 LED Focusing Light from Godox for when you require variable beam focus backed by control and power options. The light has an expansive focusable beam spread of 6 to 55 degrees so you can use it as an accent light, a hair light, a long throw fixture, or a selective lighting tool. At 55 degrees it is easy to fill a silk or light a group. The included barndoors allow you to further shape the light.
The S60 has a solid, consistent colour temperature of 5600K that can be converted to tungsten balance with a simple gel filter, and is dimmable from 0-100%. While you can make these adjustments locally on the fixture, Godox offers several ways to make them remotely. The S60 is controllable from a console via onboard DMX, wirelessly with a smartphone app, or with an optional remote controller that has a range of 164′. The S60 is ready for worldwide use thanks to its 100 to 240V power supply, but you can also run it via its controller’s V-mount battery plate when AC power is unavailable.
Joker 300––K5600’s familiar configuration
Joker 300 is built around K5600’s exclusive 14mm LES (Light Emitting Surface) allowing for perfect light-to-lens ratios, assisted by PlanoConvex optics that direct more light forward, leading to a brighter and more even light. Each includes :
Lishuai 50D Micro moonlight system.
The 50D is tiny but packs a punch. It uses a Taiwan manufactured LED COB chip that allows the highest quality of light but with industry best resistance to light falloff over the life of the head. Output is 9700 LUX at 1 metre with a standard reflector. Amazing Value for money and Quality from a brand that is used widely in TV studio’s around the world. Lishuai lights are used by many Australian broadcasters, at events such at the AFL, Tennis and recent winter olympics.
The 50D can be run from two optional NPF style batteries with a holder as well as the included 240 volt power pack. It uses its own proprietary mount but also includes a Bowens adaptor for attaching the huge range of accessories available for this mount style.
NCH NC-123 Plus 284g 
Elinchrom D-Lite RX 4/4 Softbox To Go Kit 
Tenba Transport Air Case Attache 2520w 
Lishuai 50D LED Monolight Daylight 50W 
