Astera’s LeoFresnel is an exceptional solution for film, studio, and event lighting. LeoFresnel boasts an impressive output comparable to a traditional 1000W Tungsten Fresnel. With a beam angle of 15° to 60° without color fringing, wireless and wired DMX control, these lights offer impressive performance while consuming only 250 W. Easy to mount and adjust with removable handles and YokeBases, they enhance creativity and productivity on any set.
$5,620.77
Zoom RGB Bi Colour LED Video Light has a variable beam spread of 20 to 65 degrees to suit your subject or effect you’re going for. It has variable color too from 2800 to 6500K with a high CRI/TLCI rating that’s your assurance of advanced accuracy in color rendering. The light dims from 0 to 100% as well, and while you can make these changes locally on the fixture, you can also make them wirelessly at distances of 164′ with an optional remote control. The light has 32 channels and 16 groups to insure interference-free shooting. It also has a silent fan for sound-sensitive situations.
Added to these impressive features is the Zoom’s RGB mode with Hue, Saturation, Intensity and Magenta/Green control that gives the shooter access to 36,000 custom colors. Yet another user perk is the 13 built-in special effects that include RGB Cycle, Flash, Laser, Lightning, Broken Bulb, TV, Candle, Fire, Fireworks, Police Car, Fire Truck, Ambulance and SOS. The light comes with a reflector, lamp cover, and a carrying case. The Zoom RGB LED Video Light is ready for worldwide use via its 100 to 240 VAC power supply.
The 400F LED TV fresnel consists of both a tungsten and daylight version. It can be pole-operated or manually-operated, with a pole-operated focusing knob at the front and manual knob at the rear.
Equipped with a smart Strand control user-interface, the color LCD display with 8 soft keys and decoder wheel enables intuitive operation. A USB port also allows for future firmware upgrades or performance data file downloads.
The 200F LED TV fresnel consists of both a tungsten and daylight version. It can be pole-operated or manually-operated, with a pole-operated focusing knob at the front and manual knob at the rear.
Equipped with a smart Strand control user-interface, the color LCD display with 8 soft keys and decoder wheel enables intuitive operation. A USB port also allows for future firmware upgrades or performance data file downloads.
Lishuai 50D Micro moonlight system.
The 50D is tiny but packs a punch. It uses a Taiwan manufactured LED COB chip that allows the highest quality of light but with industry best resistance to light falloff over the life of the head. Output is 9700 LUX at 1 metre with a standard reflector. Amazing Value for money and Quality from a brand that is used widely in TV studio’s around the world. Lishuai lights are used by many Australian broadcasters, at events such at the AFL, Tennis and recent winter olympics.
The 50D can be run from two optional NPF style batteries with a holder as well as the included 240 volt power pack. It uses its own proprietary mount but also includes a Bowens adaptor for attaching the huge range of accessories available for this mount style.
The Nanlite Forza 60B II monolight Bi-colour LED light with Battery Handle and Bowens adaptor is compact and lightweight and features an intuitive design with an adjustable colour temperature of 2700-6500K. The 2nd generation Forza 60 II spotlight is equipped with a 45 degree mini reflector, a locking DMX port, built-in Bluetooth for direct wireless control via app, and a quieter integrated fan. Additionally, a battery handgrip for NP-F batteries and an AC adapter with a V-mount battery plate is included for extended power options.
Blackmagic Design Adapter 6G BD SFP Optical Module 
Blackmagic Design Adapter 10G Ethernet Optical Module (Suit Teranex IP / Studio Fiber Converter only) 
