Featuring an improved weather-resistant design and a shorter body than the S-Mic 3, the S-Mic 3S Shotgun Microphone from Deity Microphones allows boom operators and field sound recordists to achieve broadcast-quality sound in a variety of outdoor shooting scenarios like indie films, ENG, and documentaries. Unwanted background noise is practically eliminated thanks to the S-Mic 3S’s pristine audio reproduction. Low-noise circuitry and RFI resistance ensure minimal editing in post. High-sensitivity and a wide frequency range of 50 Hz to 20 kHz ensure intuitive sound pickup without additional tinkering. You’ll find no switches, buttons, or dials on the S-Mic 3S, so you always depend on it to deliver consistent sound, reliability, and ease of use.
Deity Microphone S-Mic 3s
For Indie Films, TV & Documentaries
Improved Weather-Resistant Construction
Supercardioid Pickup Pattern
Short Body, Phantom Powered
Simple Operation with No Controls
RFI Resistance, Low-Noise Circuitry
High Sensitivity Requires Less Gain
Smooth Tone with Low Off-Axis Coloration
Aluminum Alloy Construction
$660.00
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0 out of 5(0)- For Film, TV & Video Production
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0 out of 5(0)The NTG8 is a broadcast-grade long shotgun microphone designed for the most demanding situations where a highly directional sound pickup is required. It features RF-bias technology that yields superior resistance to moisture and condensation, making it suitable for outdoor shoots in adverse conditions. The NTG8 has a rich, warm sound and a tightly controlled polar pattern that with excellent directionality even at lower frequencies. It is the perfect microphone in applications where distance mic’ing is required.
Key Features:
Broadcast-grade long shotgun microphone
Highly resistant to moisture and condensation
Highly directional sound pickup, even at lower frequencies
RF-bias technology
Includes SM8 shock mount for isolation from vibrations and handling noiseSKU: ROD-NTG8 -
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Its standard sized shoe mount also includes a 3/8″ thread in the base for easy mounting on a boom pole or stand.
By employing a super-cardioid polar pattern the VideoMic becomes highly directional, focusing on the subject in front of the camera, and minimising any surrounding sounds.
In addition to the microphone’s native 40Hz-20kHz response a selectable high-pass filter at 80Hz is available, which will prevent low end noise such as air conditioners and traffic from being recorded.
A -10dB and -20dB level attenuation (or PAD), selectable from inside the battery compartment, allows recording of loud sound sources, such as live music or motorsport.
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