$5,050.00
The ProFresnel Spot is a huge Fresnel lens that can be mounted directly onto any Profoto head. Being a Fresnel it creates what you might describe as your typical movie light with a directed, almost horizontal light spread that is perfect for fashion and product photography.
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The 200F LED TV fresnel consists of both a tungsten and daylight version. It can be pole-operated or manually-operated, with a pole-operated focusing knob at the front and manual knob at the rear.
Equipped with a smart Strand control user-interface, the color LCD display with 8 soft keys and decoder wheel enables intuitive operation. A USB port also allows for future firmware upgrades or performance data file downloads.
The 400F LED TV fresnel consists of both a tungsten and daylight version. It can be pole-operated or manually-operated, with a pole-operated focusing knob at the front and manual knob at the rear.
Equipped with a smart Strand control user-interface, the color LCD display with 8 soft keys and decoder wheel enables intuitive operation. A USB port also allows for future firmware upgrades or performance data file downloads.
Lishuai 50D Micro moonlight system.
The 50D is tiny but packs a punch. It uses a Taiwan manufactured LED COB chip that allows the highest quality of light but with industry best resistance to light falloff over the life of the head. Output is 9700 LUX at 1 metre with a standard reflector. Amazing Value for money and Quality from a brand that is used widely in TV studio’s around the world. Lishuai lights are used by many Australian broadcasters, at events such at the AFL, Tennis and recent winter olympics.
The 50D can be run from two optional NPF style batteries with a holder as well as the included 240 volt power pack. It uses its own proprietary mount but also includes a Bowens adaptor for attaching the huge range of accessories available for this mount style.
The FS-200 LED from NanLite is a monolight style light fixture with remarkable light output relative to its size.
The Nanlite FS-200 LED light uses the industry-standard Bowens light modifiers, making it easy to soften or focus the light, to provide a wide range of lighting effects. The ability to shape the light makes the FS-200 ideal for portraiture, product photography, and in-house video production.
How bright are they?
In our tests using a pair of FS-200’s in the Nanlite 60 x 90cm softbox, we were able to shoot a single person portrait with the following camera settings F8, 1/125s, ISO 1000. For a group portrait, where the lights further from the subjects, we were able to shoot a group of 4 standing side-by-side with the following camera settings F8, 1/125s, ISO 1250.
Adopting the familiar, intuitive monolight form factor, the Bi-Colour Zoomable LED Video Light from Godox has a variable beam spread of 20 to 65 degrees to suit your subject or effect you’re going for. It has variable colour too from 2800 to 6500K with a high CRI/TLCI rating of 97/96 for advanced accuracy in colour rendering. The light dims from 0 to 100%, and while you can make these changes locally on the fixture, you can also make them wirelessly at distances of 50m with an optional remote control or a free app. The light has 32 channels and 16 groups to ensure interference-free shooting. It also has a silent fan with an on/off switch for sound-sensitive situations.
Eight built-in special effects include Flash, Lightning Broken Bulb, TV, Candle, Fire, Fireworks, and SOS. The light comes with a reflector, a lamp cover, and a frosted cover. It is ready for worldwide use via its 100 to 240 VAC power supply.
WD-40 Specialist High Performance Silicone Lubricant 300g/451ml 
Focusrite Scarlett 2i2 USB-C Audio Interface 4th Gen 
Godox S30 Focusing LED Light with Barndoor 
