Aputure Amaran Ray 360c

Zoom RGB Bi Colour LED Video Light has a variable beam spread of 20 to 65 degrees to suit your subject or effect you’re going for. It has variable color too from 2800 to 6500K with a high CRI/TLCI rating that’s your assurance of advanced accuracy in color rendering. The light dims from 0 to 100% as well, and while you can make these changes locally on the fixture, you can also make them wirelessly at distances of 164′ with an optional remote control. The light has 32 channels and 16 groups to insure interference-free shooting. It also has a silent fan for sound-sensitive situations.

Added to these impressive features is the Zoom’s RGB mode with Hue, Saturation, Intensity and Magenta/Green control that gives the shooter access to 36,000 custom colors. Yet another user perk is the 13 built-in special effects that include RGB Cycle, Flash, Laser, Lightning, Broken Bulb, TV, Candle, Fire, Fireworks, Police Car, Fire Truck, Ambulance and SOS. The light comes with a reflector, lamp cover, and a carrying case. The Zoom RGB LED Video Light is ready for worldwide use via its 100 to 240 VAC power supply.

The Godox SL200II is a super quiet, bright LED light that operates on a single LED chip providing a very bright 200W light. The SL200II is a lightweight, daylight 200Ws LED continuous studio light with Bowens S-Type fitting, which uses the latest High-Intensity Integrated COB LED technology.

It has a Brightness in excess of 74,000 lux at 1m with the included standard seven-inch reflector, which is the Equivalent Brightness of a 2000W Tungsten Lamp, wh­ilst using approximately 10% of the energy, and running many times cooler.

The Godox SL200II has impeccable colour quality, with a Colour Rendering Index (CRI) of 96, for super-accurate colour reproduction, and a Television Lighting Consistency Index (TLCI) rating of 97 (which is the industry standard measurement of colour fidelity). This assures that you can achieve the best representation of colour possible, meaning that it is Suitable for Professional Broadcasting use, as well as for Cinematography, Television Production and other video applications. It is also Suitable for Stills Photography, Including Portraits and Products etc.

The SL200II features a unique heat-dissipation system to maximise airflow or more efficient heat dissipation giving an almost silent operation. This makes the SL200II suitable for use for any filming application.

Lishuai 50D Micro moonlight system.

The 50D is tiny but packs a punch.  It uses a Taiwan manufactured LED COB chip that allows the highest quality of light but with industry best resistance to light falloff over the life of the head.  Output is 9700 LUX at 1 metre with a standard reflector.  Amazing Value for money and Quality from a brand that is used widely in TV studio’s around the world.  Lishuai lights are used by many Australian broadcasters, at events such at the AFL, Tennis and recent winter olympics.

The 50D can be run from two optional NPF style batteries with a holder as well as the included 240 volt power pack.  It uses its own proprietary mount but also includes a Bowens adaptor for attaching the huge range of accessories available for this mount style.