Color: 5600K, CRI/TLCI: 96/97. 8 Special Effects, Dims 0-100%. Bowens Front Accessory Mount. Godox App Control, Optional Remote. Compact Construction.
$265.00
Zoom RGB Bi Colour LED Video Light has a variable beam spread of 20 to 65 degrees to suit your subject or effect you’re going for. It has variable color too from 2800 to 6500K with a high CRI/TLCI rating that’s your assurance of advanced accuracy in color rendering. The light dims from 0 to 100% as well, and while you can make these changes locally on the fixture, you can also make them wirelessly at distances of 164′ with an optional remote control. The light has 32 channels and 16 groups to insure interference-free shooting. It also has a silent fan for sound-sensitive situations.
Added to these impressive features is the Zoom’s RGB mode with Hue, Saturation, Intensity and Magenta/Green control that gives the shooter access to 36,000 custom colors. Yet another user perk is the 13 built-in special effects that include RGB Cycle, Flash, Laser, Lightning, Broken Bulb, TV, Candle, Fire, Fireworks, Police Car, Fire Truck, Ambulance and SOS. The light comes with a reflector, lamp cover, and a carrying case. The Zoom RGB LED Video Light is ready for worldwide use via its 100 to 240 VAC power supply.
Godox has put together this expansive S60 LED Focusing 3 Light Kit to offer you a complete setup with a 6 to 55° variable beam focus backed by control and power options. The kit has three S60 daylight heads, each with barndoors, a controller, and a light stand. There’s also a bag for the stands and two softboxes. For when you want to do everything from selective lighting to pattern projection, a Projection Attachment with an 85mm lens and literally all of its attachments is included. The extensive list includes a framing shutter, a gobo set and holder, a color effects filter set, and a color temperature filter set. Godox also includes an RC-A6 wireless remote control with a 50m range.
The FS-200 LED from NanLite is a monolight style light fixture with remarkable light output relative to its size.
The Nanlite FS-200 LED light uses the industry-standard Bowens light modifiers, making it easy to soften or focus the light, to provide a wide range of lighting effects. The ability to shape the light makes the FS-200 ideal for portraiture, product photography, and in-house video production.
How bright are they?
In our tests using a pair of FS-200’s in the Nanlite 60 x 90cm softbox, we were able to shoot a single person portrait with the following camera settings F8, 1/125s, ISO 1000. For a group portrait, where the lights further from the subjects, we were able to shoot a group of 4 standing side-by-side with the following camera settings F8, 1/125s, ISO 1250.
Based on the Alpha 800 HMI.
Alpha 300 is built around K5600’s exclusive 14mm LES (Light Emitting Surface) allowing for perfect light-to-lens ratios, assisted by PlanoConvex optics that direct more light forward, leading to a brighter and more even light. Each includes :
Lishuai 50D Micro moonlight system.
The 50D is tiny but packs a punch. It uses a Taiwan manufactured LED COB chip that allows the highest quality of light but with industry best resistance to light falloff over the life of the head. Output is 9700 LUX at 1 metre with a standard reflector. Amazing Value for money and Quality from a brand that is used widely in TV studio’s around the world. Lishuai lights are used by many Australian broadcasters, at events such at the AFL, Tennis and recent winter olympics.
The 50D can be run from two optional NPF style batteries with a holder as well as the included 240 volt power pack. It uses its own proprietary mount but also includes a Bowens adaptor for attaching the huge range of accessories available for this mount style.
Avenger E700 Drop Down Pin Baby 
Antari BCT1 Timer remote control for B100X B200T 
Antari Z8 Timer Remote Controller Z1200II, ICE101 
Godox S60 3 Head LED Focusing Light Kit 
