With its matte watercolour texture, this paper is a genuine mould-made paper in bothlookand feel.
William Turner is ideal for reproductions of traditional artworks and also for striking and expressive photo reproductions.
Natural White, 100% cotton rag content.
Specifications
Please note: Specifications are provided as a guide only.
We try very hard to keep these up to date and correct, but if a particular specification is really critical to you, then please double check the specification directly with the manufacturer. Some features may of course have caveats not fully described here.
To get more information about a particular specification, use the arrow to get a ‘Specxplanation’.
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ConstructionFibre Based
Papers are constructed in two main ways:
Resin Coated papers are the modern approach. These use less fibre and replace the fibre with resin (a nice name for plastic). This means these papers are cheap, strong and robust, but tend to be less attractive to the touch and accept less ink. They tend to have a clinical appearance and it’s hard to write on the back of them. They tend to be popular in the consumer and wedding/portrait markets.
Fibre Based papers are traditional papers made without plastic, using only plant fibres. These tend to accept more ink and have a more attractive appearance, and these are the papers most of our customers favour.
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Substrate100% Cotton
What is the paper base made from?
Possibilities include:
- Wood Pulp – the most common and cheapest
- Alpha Cellulose – the best part of wood pulp, separated. Generally tested as archival as cotton etc
- Cotton – the most common fine art paper fibre
- Bamboo – an ecologically friendly alternative to cotton
- Mulberry & more – many other plant fibres can be used to make archival paper
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Paper Weight310 gsm
In ‘gsm’ – grams per square metre.
Not, technically, the same as paper thickness, but obviously correlated. The heft of the paper. European art papers are traditionally generally around the 300gsm mark. Asian papers historically tended to be lighter, 100 to 200 gsm.
Papers with a higher GSM tend to have more opacity, i.e. you see less through them.
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Surface TextureMatte, Textured
What is the surface texture of the paper?
We divide this into six groups. We go by the appearance of the actual paper and not what the manufacturer might label the box with!
- Matte – smooth and texture
- Gloss – semi, gloss, and high gloss
- Double Sided – special case papers that are printable to full quality on both sides.
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White ToneWhite
What is the white tone of the paper?
- Cool White – a paper with a distinctly cool (blue) tone
- Bright White – A paper that is brighter than non brightened papers, but not overly cool
- White – a natural clean white tone for an art paper – most Photo Rag papers fall here
- Warm – a distinctly warmer, creamier paper
- Pearlescent – a distinct warm grey tone (generally found only with metallic papers)
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CoatingMicroporous
These days almost all papers are microporous coated – meaning they’ll accept inks from both dye based and pigment printers well.
In years past, some papers had a swellable coating – designed to give a greater life to prints with dye based inks but this approach has fallen out of favour.
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Compatible InksPigment Inks (use matte black)
Dye Based InksWhat ink type (dye and/or pigments) can you use with the paper?
Also, if using pigment inks and you have a choice, should you use the Matte Black or Photo Black ink?
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Optical Brighteners?
SmallRig NP-F970 Camera Battery 4073
Ercole M13-022 Half Coupler 40-50mm with 8mm thread
Think Tank Glass Limo
Dynacore D-310MS Battery V-Lock Mini Rugged 14.8V 310Wh
Shure A58WS-YL Foam Windscreen for SM58 / Beta58 (Yellow)
Rode NTH-CABLE12 Black (1.2m Headphone Cable in Black)
Manfrotto 036MR Stud Lighting Hexagon w hole for safty cable for lights also for joining 2 superclamps
Ilford Galerie Metallic Gloss 44'' Roll (111.8cm x 30m) 260 gsm
Osram Lamp 64718 T/27 GCT 650W 240V
Advance AT7 Electrical Tape Flame Retardant Blue 19mm x 20m (520/203E equivalent)
Shure Microphone A2WS-BK Foam Windscreen for SM57 (Black)
Wooden Camera Unified Lens Adapter Support Kit
Manfrotto 405 405 Geared Tripod Head, strong and lightweight aluminium
Rycote Replacement Lyres & Cable Clip, Super-Blimp NTG
Benro Tortoise Short Centre Column #3
Benro GoRail 1 | 40cm Long
3 Legged Thing QR4 Release Plate
Rode K2 Studio Condenser Valve Microphone
Lishuai Parabolic Softbox 70cm 50D Mount with grid
Benro Levelling Base 66.5 +/- 15 degrees
Benro GoRail 1 | 60cm Long
Manfrotto 396AB-2 Arm Double Articulated 2 Sec Extends to 62.5cm 5kg Payload 2x 16mm Stud 1/4'' & 3/8'' F
Lishuai Focusing Lens Barndoors 50D Mount
Pelican 1060 Micro Case Clear With Black
Rosco Paint Chroma Key 5711 Green 19L
Tenba Roadie Backpack 20"
Rycote Triangular Black Mic Flag
Manfrotto Lastolite Difflector HaloCompact SftSL Soft SIlver 82cm Round Collapsible incl bag
SmallRig BSC2333 Universal Cable Clamp
SmallRig BSE2346B Swivel and Tilt Monitor Mount with Cold Shoe
Rycote Single Square White Mic Flag
Avenger A2018LCB Stand Light C-Stand 18CB 84-170cm 8kg Payload Black w Sliding Leg w4.3kg
Brother DK22223 White Roll 50mm x 30.48 metres
Tentacle SYNC E mk2 – Single Set
Manfrotto Bag Roller Reloader Air 55 Fit DSLR 400mm & 3 more lenses Ext 55x35.5x23 Int 47x32x18cm
Manfrotto Lastolite Fabric Diffuser .75St 1.5x1.5m 0.75 Stop for MIDI Skylite Rapid Frame LR815
Shure X2U XLR to USB Converter
Rycote Micro Windjammer -30 Uses
Rosco Flamex NF Natural Fibre 3.79L
Blackmagic Design Camera URSA Handgrip (suitable for all URSAs)
Godox FL60 Softbox with Grid SF3045 30cm x 45cm
SmallRig BUN2483B Low-profile NATO Rail 70mm
LARH Textile Grid Quarter (1/4) Silent White 20' X 20'
Blackmagic Design ATEM SDI Extreme ISO
Manfrotto MVR911ECCN Clamp-on Electronic Remote Control for Canon HDSLRs
Okko Pro / CPL Circular Polarizer Filter 40.5mm
Trusst CT-CONKIT Truss Connection Kit
Shure A58WS-RD Foam Windscreen for SM58 / Beta58 (Red)
Okko Pro / Slim UV Protector Lens Filter 82mm
Manfrotto 5002BL Stand Lighting Nano Plus Black Alum, levelling leg
Manfrotto Lastolite Kit Frame Support Aluminium for Skylite/Panoramic/EzyFrame/StudioLink
Benro Tortoise 03C Carbon Fibre 3 Section Photo Tripod Twist Lock
Rycote 40/55 Reporter Mic Foam (Single)
Pelican 1400 Case Without Foam Black
SmallRig MD3490 Sony FX3 XLR Handle Extension Rig
Avenger H4BAG Bag H4Bag for Grip Kit
Rosco E-Colour Gel Sheet 442 1/2 CT Straw (CTS) 1.2m x 53cm
IDX iMicro-98P 97Wh Li-ion V-Mount battery
Canson Rag Photographique 310gsm 24" x 15.2m






