With its matte watercolour texture, this paper is a genuine mould-made paper in bothlookand feel.
William Turner is ideal for reproductions of traditional artworks and also for striking and expressive photo reproductions.
Natural White, 100% cotton rag content.
Specifications
Please note: Specifications are provided as a guide only.
We try very hard to keep these up to date and correct, but if a particular specification is really critical to you, then please double check the specification directly with the manufacturer. Some features may of course have caveats not fully described here.
To get more information about a particular specification, use the arrow to get a ‘Specxplanation’.
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ConstructionFibre Based
Papers are constructed in two main ways:
Resin Coated papers are the modern approach. These use less fibre and replace the fibre with resin (a nice name for plastic). This means these papers are cheap, strong and robust, but tend to be less attractive to the touch and accept less ink. They tend to have a clinical appearance and it’s hard to write on the back of them. They tend to be popular in the consumer and wedding/portrait markets.
Fibre Based papers are traditional papers made without plastic, using only plant fibres. These tend to accept more ink and have a more attractive appearance, and these are the papers most of our customers favour.
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Substrate100% Cotton
What is the paper base made from?
Possibilities include:
- Wood Pulp – the most common and cheapest
- Alpha Cellulose – the best part of wood pulp, separated. Generally tested as archival as cotton etc
- Cotton – the most common fine art paper fibre
- Bamboo – an ecologically friendly alternative to cotton
- Mulberry & more – many other plant fibres can be used to make archival paper
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Paper Weight310 gsm
In ‘gsm’ – grams per square metre.
Not, technically, the same as paper thickness, but obviously correlated. The heft of the paper. European art papers are traditionally generally around the 300gsm mark. Asian papers historically tended to be lighter, 100 to 200 gsm.
Papers with a higher GSM tend to have more opacity, i.e. you see less through them.
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Surface TextureMatte, Textured
What is the surface texture of the paper?
We divide this into six groups. We go by the appearance of the actual paper and not what the manufacturer might label the box with!
- Matte – smooth and texture
- Gloss – semi, gloss, and high gloss
- Double Sided – special case papers that are printable to full quality on both sides.
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White ToneWhite
What is the white tone of the paper?
- Cool White – a paper with a distinctly cool (blue) tone
- Bright White – A paper that is brighter than non brightened papers, but not overly cool
- White – a natural clean white tone for an art paper – most Photo Rag papers fall here
- Warm – a distinctly warmer, creamier paper
- Pearlescent – a distinct warm grey tone (generally found only with metallic papers)
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CoatingMicroporous
These days almost all papers are microporous coated – meaning they’ll accept inks from both dye based and pigment printers well.
In years past, some papers had a swellable coating – designed to give a greater life to prints with dye based inks but this approach has fallen out of favour.
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Compatible InksPigment Inks (use matte black)
Dye Based InksWhat ink type (dye and/or pigments) can you use with the paper?
Also, if using pigment inks and you have a choice, should you use the Matte Black or Photo Black ink?
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Optical Brighteners?
3 Legged Thing QR4 Release Plate
Nikon Nikkor Z 14-24mm F/2.8 S
Okko Pro / CPL Circular Polarizer Filter 62mm
Sony BC-QZ1 Battery Charger for NP-FZ100
Canson Rag Photographique 310gsm A3+ 25 Sheets
Shure A58WS-BLK Foam Windscreen for SM58 / Beta58 (Black)
LARH Textile Grid Half (1/2) Silent White 20' X 20'
Pelican 1450 Case Without Foam Black
Nikon Nikkor Z 28-75mm F/2.8
Setwear Glove Hot Hand X-Large Black
Rycote Overcovers Adv, White (Pack)
Benro Universal Camera L-Bracket
Pelican 1300 Case With Foam Black
Godox AD1200PRO TTL Power Pack
Benro GoCoupler 2 | 90 deg
LARH Textile High Lite 12' X 20'
Okko Pro / CPL Circular Polarizer Filter 52mm
Rode PG1 Cold Shoe Microphone Pistol Grip
Benro QR Plate for HD1 3 Way Head
Sound Devices MixPre-10 II Field Mixer/Recorder - 8 Preamp, 10 Channel, 12 Track, 32-Bit Float
Godox TimoLink TRX Wireless DMX Transceiver
Zoom F6 6-Input / 14-Track Multitrack Field Recorder
LARH Textile Quarter (1/4) Silk White 20' X 20'
Shure A57AWS Locking Windscreen for Beta57 Beta57 or Beta57A (Black)
Rosco E-Colour Gel Sheet 204 Full CT Orange (CTO) 1.2m x 53cm
Shure Microphone A2WS-BK Foam Windscreen for SM57 (Black)
SmallRig BUN2483B Low-profile NATO Rail 70mm
Lishuai Flaglite LED Mat Kit RGBWW 30 x 60cm 70W with softbox and carry bag
Rosco E-Colour Gel Sheet 203 1/4 CT Blue (CTB) 1.2m x 53cm
Ansmann CR2 Lithium Battery 3V 800mAh
Benro GoAdapter Monopod Connector Female to Female Thread
Pelican 1300 Case Without Foam Black
Shure A3WS Foam Windscreen for PG81-XLR (Black)
Benro GoRail 2 | 50cm Long
Nikon Nikkor Z 100-400mm F/4.5-5.6 VR S
Haida M10-II Filter Holder Kit with Adapter Ring (62mm)
Arcturus Space Blanket Black 152cm x 208cm
SmallRig 2060 Cold Shoe 2-Pack
SmallRig NP-W235 Camera Battery Charger 4085
Antari FCW80Z Wired remote controller for F80Z
Mindshift Trailscape 18L Backpack
SmallRig 95mm CPL-VND Filter Kit with Rod Clamp 3864
Shure A58WS-YL Foam Windscreen for SM58 / Beta58 (Yellow)
Spirax 595 Notebook A4 7mm Side Opening 120 Pages
Okko Pro / Slim UV Protector Lens Filter 43mm
Epson Cold Press Bright - Roll Paper 17" X 15M





