With its matte watercolour texture, this paper is a genuine mould-made paper in bothlookand feel.
William Turner is ideal for reproductions of traditional artworks and also for striking and expressive photo reproductions.
Natural White, 100% cotton rag content.
Specifications
Please note: Specifications are provided as a guide only.
We try very hard to keep these up to date and correct, but if a particular specification is really critical to you, then please double check the specification directly with the manufacturer. Some features may of course have caveats not fully described here.
To get more information about a particular specification, use the arrow to get a ‘Specxplanation’.
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ConstructionFibre Based
Papers are constructed in two main ways:
Resin Coated papers are the modern approach. These use less fibre and replace the fibre with resin (a nice name for plastic). This means these papers are cheap, strong and robust, but tend to be less attractive to the touch and accept less ink. They tend to have a clinical appearance and it’s hard to write on the back of them. They tend to be popular in the consumer and wedding/portrait markets.
Fibre Based papers are traditional papers made without plastic, using only plant fibres. These tend to accept more ink and have a more attractive appearance, and these are the papers most of our customers favour.
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Substrate100% Cotton
What is the paper base made from?
Possibilities include:
- Wood Pulp – the most common and cheapest
- Alpha Cellulose – the best part of wood pulp, separated. Generally tested as archival as cotton etc
- Cotton – the most common fine art paper fibre
- Bamboo – an ecologically friendly alternative to cotton
- Mulberry & more – many other plant fibres can be used to make archival paper
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Paper Weight310 gsm
In ‘gsm’ – grams per square metre.
Not, technically, the same as paper thickness, but obviously correlated. The heft of the paper. European art papers are traditionally generally around the 300gsm mark. Asian papers historically tended to be lighter, 100 to 200 gsm.
Papers with a higher GSM tend to have more opacity, i.e. you see less through them.
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Surface TextureMatte, Textured
What is the surface texture of the paper?
We divide this into six groups. We go by the appearance of the actual paper and not what the manufacturer might label the box with!
- Matte – smooth and texture
- Gloss – semi, gloss, and high gloss
- Double Sided – special case papers that are printable to full quality on both sides.
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White ToneWhite
What is the white tone of the paper?
- Cool White – a paper with a distinctly cool (blue) tone
- Bright White – A paper that is brighter than non brightened papers, but not overly cool
- White – a natural clean white tone for an art paper – most Photo Rag papers fall here
- Warm – a distinctly warmer, creamier paper
- Pearlescent – a distinct warm grey tone (generally found only with metallic papers)
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CoatingMicroporous
These days almost all papers are microporous coated – meaning they’ll accept inks from both dye based and pigment printers well.
In years past, some papers had a swellable coating – designed to give a greater life to prints with dye based inks but this approach has fallen out of favour.
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Compatible InksPigment Inks (use matte black)
Dye Based InksWhat ink type (dye and/or pigments) can you use with the paper?
Also, if using pigment inks and you have a choice, should you use the Matte Black or Photo Black ink?
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Optical Brighteners?
Orca Coatings 11 oz. Two Tone Mug Inner/Handle Red
Epson Cyan ink Pro 7900 / 9900 / 7890 / 9890 (700ml) T6362
Sachtler Tripod System aktiv6 flowtech75 MS 75mm
Rosco E-Colour Gel Sheet 020 Medium Amber 1.2m x 53cm
Avenger A2029CB Column C-Stand 29 Black 118/285cm Weighs 3.3kg
Pelican 1500 Case With Foam Black
Antari FLY5 Super Heavy Fog Liquid 5 Litre Temporary use only
Rode XLR Cable 3m (Green)
Kupo CL-40MK 40" Silver C-Stand Kit with Sliding Leg & Quick Release
Benro GoKnob 2
LARH Textile Poly Silk White 12' X 12'
Tenba Transport Air Case Attache 2015
Beamz AC-135 Padded Lighting Bag
Backstage Mag C-Stand Holder (4)
Canson Infinity Baryta Photographique II 310gsm A2 x 25 Sheets
Benro GoPlatform Laptop/Projector Platform
Okko Pro / Slim UV Protector Lens Filter 72mm
Nikon Nikkor Z 24-120mm F/4 S
Nikon AF-S Nikkor 14-24mm F/2.8g
Tenacious K160 Cloth Tape Camera Matt White 24mm x 25m (352 equivalent)
Okko Pro / CPL Circular Polarizer Filter 62mm
Kupo CL20M 20 Inch Black C-Stand
Pelican 1200 Case With Foam Black
Teradek RT MDR.X Three-Channel Lens Control Receiver with Bluetooth
Pelican 1200 Case Without Foam Black
Rycote Neumann Tlm 103 Foam (Single)
LARH Textile High Lite 12' X 20'
Dynacore DPM-155S Battery V-Lock Tiny 14.8V 155Wh
Astera DoPchoice SnapGrid for Helios Tube 0.5m
Tilta Adjustable Phone Mounting Bracket (1/4"-20) - Black
Godox FL60 Softbox with Grid SF3045 30cm x 45cm
Manfrotto Lastolite Frame Skylite Rapid 1.1x2.0m MEDIUM Alum Frame collapsible fits Skylite Rapid MED Fabrics
Manfrotto Case Reloader Tough Low Lid Carry-On Roller Ext 55x35x20cm Int 50x26x14cm
Rosco E-Colour Gel Sheet 253 Hampshire Frost 1.2m x 53cm
SmallRig BUN2483B Low-profile NATO Rail 70mm
Antari FLG20 Heavy Fog Liquid 20 Litre
Tenacious K220 Paper Tape Crepe Masking Red 24mm x 55m
Rosco E-Colour Gel Sheet 416 3/4 White Diffusion 1.2m x 53cm
Okko Pro / CPL Circular Polarizer Filter 58mm
Pelican 1170 Case Without Foam Black
Rycote Back-To-Back Clips
Avenger A2029 Column C-Stand 29 Chrome 118/285cm Weighs 3.3kg
SmallRig Cage Kit for Sony FX6 4124
iPower 9V Battery Fast Smart Charger
Epson P5070 T913B Green Ink (200ml)
Okko Pro / Slim UV Protector Lens Filter 52mm
Nikon Nikkor Z 400mm F/2.8 TC VR S
Benro GoRail 2 | 50cm Long
Walkie Woogies 18 - Digi Camo
Epson Cold Press Bright - Roll Paper 17" X 15M





