PortKeys OEYE-RED EVF

Blackmagic Video Assist 7” 3G is a portable monitor, a professional recorder, a portable scope and a fantastic camera viewfinder solution! You can also add better quality record codecs and a larger monitor to any SDI or HDMI camera! The new design has innovations such as 4 built in scopes, enhanced focus assist features, a tally indicator and built in 3D LUTs. The Video Assist 7” 3G support formats up to 1080p60 and the new design also has L-Series batteries for longer life. Blackmagic Video Assist 7” 3G really is 4 products in one!

The Portkeys BM5 III WR is a lightweight, rugged 5.5-inch Wide Color Gamut on-camera monitor with 2,200nits of brightness, HDMI/SDI video inputs, one SDI output with HDMI cross-conversion and wired/wireless camera control capabilities.

Key features:

• 5.5-inch, 10-bit panel with a resolution of 1920 x 1080 and a 1000:1 contrast ratio.
• Daylight-viewable with a maximum brightness of 2,200nits.
• 1 x 3G-SDI input, 1 x HDMI input, 1 x 3G-SDI output with cross-conversion.
• Professional monitoring tools: Waveform, Vectorscope, Peaking, ARRI False Color.
• 3D LUT monitoring and 3D LUT SDI output capabilities.
• RED Approved: wireless camera control for the RED Komodo and V-RAPTOR.
• Wireless camera control for most Sony and Blackmagic Design cameras.
• Wired camera control for Sony, Canon, Panasonic, BMD, and ZCAM E2.
• TILTA Nucleus N/M wireless follow focus wired control.
• Built-in Sony NP-F style battery plate.
• 4-pin 7.4V-24V power input for external power (D-Tap cable included).
• Lightweight and rugged aluminum housing: only 376g/13.2oz.

Blackmagic Video Assist 5” 12G HDR adds professional monitoring and recording to any SDI or HDMI camera in all HD, Ultra HD, 2K and 4K DCI formats! The super bright 2500nit 5 inch HDR monitor supports 3D LUTs and features professional scopes along with powerful focus assist and exposure tools that help you accurately set focus, exposure and frame shots. The built in SD card recorder save files in broadcast quality 10‑bit 4:2:2 ProRes or DNx formats. The files are all standard, so you can start editing immediately without having to convert them!