Onmi-directional pick-up pattern.
Modular design.
Wide frequency response 10 to 60.000 Hz.
Symmetrical transducer with 2 backplates providing extremly low distortion.
Extremly low inherent self-noise.
Accurate directional pattern.
Non reflective Nextel coating.
Ideal for stereo and surround recordings, as an M microphone and for ambience.
$2,598.00
The omni-directional MKH 8020 is ideal for recording large and small sound sources, for a “Decca Tree” or for use in an OSS “Jecklin Disk” array. As it does not suffer from a proximity effect, it is also a good choice for close-miking. If the acoustic ambience is right, this microphone will provide very impressive recordings. The extra octave at the bottom end makes the MKH 8020 perfect for recording pipe organs, grand piano and acoustic double-bass.
The Shure VP83F LensHopper™ delivers the perfect blend of form and function. For use with DSLR cameras and HD camcorders, it offers digital flash recording / playback (MicroSDHC) capabilities that enable WAV file capture at 24-bit / 48 kHz sampling rate.
For Indie Films, TV & Documentaries
Improved Weather-Resistant Construction
Supercardioid Pickup Pattern
Phantom Powered
Simple Operation with No Controls
RFI Resistance, Low-Noise Circuitry
High Sensitivity Requires Less Gain
Smooth Tone with Low Off-Axis Coloration
Aluminum Alloy Construction
The Rode VideoMic Pro+ Plus (VMP+) is the newest addition to the best-in-market on-camera line of Rode Microphones. A true shotgun microphone designed for use with camcorders, DSLR cameras and portable audio recorders as a source of primary and reference audio.
Still with the best-in-class Rycote Lyre suspension system onboard. The VideoMic Pro+ improves on the existing VideoMic Pro capsule/line tube and windshield while boasting a host of new features. Additionally, with the Automatic Power Function (with plug-in power availability) it’s perfect for the run-and-gun shooter. Automatically turning the microphone off when unplugged from the camera. Plus, the Built-in Battery Door makes replacing the battery a breeze, while ensuring it won’t get lost. With the option to be powered by the all-new and included RØDE LB-1 Lithium-Ion Rechargeable Battery, 2 x AA Batteries or continuously via Micro USB. Plus, Digital Switching means the user will get the ultimate capture of the audio signal at the source, reducing post-production and editing times.
The Digital Switching includes:
2-Stage High Pass Filter to reduce low frequencies such as rumble from traffic or air conditioning
3-Stage Gain Control, with +20dB function – designed to improve audio quality on DSLR or mirrorless cameras
High-Frequency Boost will boost high frequencies enhancing detail and clarity in the recording
Safety Channel to help ensure the signal does not clip when unexpected spikes occur
Overall, the Rode VideoMic Pro Plus is the perfect choice for aspiring filmmakers and run-and-gun videographers looking to capture professional-quality audio. Alternatively, RODE also feature a range of On-Camera Microphones in this range if you’re looking for a lower budget option. Including the Rode VideoMicro, Rode VideoMic Go, and Rode VideoMic Pro.
Deity Microphone S-Mic 3 
Rode VideoMicro II On-Camera Shotgun Microphone 
Deity V-Mic D4 Shotgun Microphone 
