Strand 400F Fresnel MO Daylight
The 400F LED TV fresnel consists of both a tungsten and daylight version. It can be pole-operated or manually-operated, with a pole-operated focusing knob at the front and manual knob at the rear.
Equipped with a smart Strand control user-interface, the color LCD display with 8 soft keys and decoder wheel enables intuitive operation. A USB port also allows for future firmware upgrades or performance data file downloads.
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With a built-in, 16 channel, 6 group receiver running on the 433 MHz frequency, the SLB60W is dimmable from 10 – 100% locally on the fixture, but also at distances up to 20m thanks to the optional of a wireless remote. The remote gives you control over both light intensity and channel and group selection.
The SLB60W’s lithium-ion battery will give you 60 minutes of run time on a full charge and you can charge a spare while shooting with a topped-up battery. There’s also an optional AC power source for shooting in the studio or in places with available mains power. The SLB60W is stand mountable and has a Bowens front accessory mount, making it compatible with accessories from the many manufacturers who use this popular mount.
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Added to these impressive features is the Zoom’s RGB mode with Hue, Saturation, Intensity and Magenta/Green control that gives the shooter access to 36,000 custom colors. Yet another user perk is the 13 built-in special effects that include RGB Cycle, Flash, Laser, Lightning, Broken Bulb, TV, Candle, Fire, Fireworks, Police Car, Fire Truck, Ambulance and SOS. The light comes with a reflector, lamp cover, and a carrying case. The Zoom RGB LED Video Light is ready for worldwide use via its 100 to 240 VAC power supply.
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0 out of 5(0)Bright, colour accurate, and suitable as a key, fill, set, kicker, or ambient light source using only 675W, the Orion 675 FS LED from Prolycht has the output to match a 1200W HMI or a 5K tungsten lamp, while providing you with the advantages of an LED source. Featuring an RBGACL COB (Chip on board) for precise CCT output from 1600 to 20,000K, the output has a colour spectrum that nearly matches daylight, allowing you to capture extremely accurate colours for beautiful results without surprises on playback.
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