With its matte watercolour texture, this paper is a genuine mould-made paper in bothlookand feel.
William Turner is ideal for reproductions of traditional artworks and also for striking and expressive photo reproductions.
Natural White, 100% cotton rag content.
Specifications
Please note: Specifications are provided as a guide only.
We try very hard to keep these up to date and correct, but if a particular specification is really critical to you, then please double check the specification directly with the manufacturer. Some features may of course have caveats not fully described here.
To get more information about a particular specification, use the arrow to get a ‘Specxplanation’.
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ConstructionFibre Based
Papers are constructed in two main ways:
Resin Coated papers are the modern approach. These use less fibre and replace the fibre with resin (a nice name for plastic). This means these papers are cheap, strong and robust, but tend to be less attractive to the touch and accept less ink. They tend to have a clinical appearance and it’s hard to write on the back of them. They tend to be popular in the consumer and wedding/portrait markets.
Fibre Based papers are traditional papers made without plastic, using only plant fibres. These tend to accept more ink and have a more attractive appearance, and these are the papers most of our customers favour.
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Substrate100% Cotton
What is the paper base made from?
Possibilities include:
- Wood Pulp – the most common and cheapest
- Alpha Cellulose – the best part of wood pulp, separated. Generally tested as archival as cotton etc
- Cotton – the most common fine art paper fibre
- Bamboo – an ecologically friendly alternative to cotton
- Mulberry & more – many other plant fibres can be used to make archival paper
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Paper Weight310 gsm
In ‘gsm’ – grams per square metre.
Not, technically, the same as paper thickness, but obviously correlated. The heft of the paper. European art papers are traditionally generally around the 300gsm mark. Asian papers historically tended to be lighter, 100 to 200 gsm.
Papers with a higher GSM tend to have more opacity, i.e. you see less through them.
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Surface TextureMatte, Textured
What is the surface texture of the paper?
We divide this into six groups. We go by the appearance of the actual paper and not what the manufacturer might label the box with!
- Matte – smooth and texture
- Gloss – semi, gloss, and high gloss
- Double Sided – special case papers that are printable to full quality on both sides.
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White ToneWhite
What is the white tone of the paper?
- Cool White – a paper with a distinctly cool (blue) tone
- Bright White – A paper that is brighter than non brightened papers, but not overly cool
- White – a natural clean white tone for an art paper – most Photo Rag papers fall here
- Warm – a distinctly warmer, creamier paper
- Pearlescent – a distinct warm grey tone (generally found only with metallic papers)
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CoatingMicroporous
These days almost all papers are microporous coated – meaning they’ll accept inks from both dye based and pigment printers well.
In years past, some papers had a swellable coating – designed to give a greater life to prints with dye based inks but this approach has fallen out of favour.
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Compatible InksPigment Inks (use matte black)
Dye Based InksWhat ink type (dye and/or pigments) can you use with the paper?
Also, if using pigment inks and you have a choice, should you use the Matte Black or Photo Black ink?
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Optical Brighteners?
Shure X2U XLR to USB Converter
Benro GoCoupler 1 | 0 deg 1/4" & 3/8" Mount
Avenger C482 Clamp LP Eye Coupler Swivel 300kg Payload 42-52mm Wide Alum Alloy Spigot 28mm
Manfrotto Lastolite BG 1.8x2.1m Chromakey Green Collapsible Double sided
Aputure Gobo Set of 10
Pelican 1200 Case With Foam Yellow
Nikon Nikkor Z 14-24mm F/2.8 S
Canson PhotoGloss Premium RC 270gsm A2 25 Sheets
Okko Pro / CPL Circular Polarizer Filter 95mm
Teradek 5/6GHz Flexible V-Antenna
Trusst CT290-405S Box Truss 0.5m
Canon EOS R5 Mark II Mirrorless Camera Body Only
LARH Textile Halo Frost (Magic Cloth) 12' X 20'
LARH Textile Grid Quarter (1/4) Silent White 12' X 12'
Dynacore D-2BS-24 Converter V-Lock 14.8V input to 24V output
LARH Textile Poly Silk White 20' X 20'
LARH Textile Quarter (1/4) Silk White 12' X 20'
Beamz BUV123 LED UV Bar 12 x 3W
Manfrotto Quick Release Adapter incl 357PLV-1 sliding plate
Deity S-Mic 2 Shotgun Microphone
Manfrotto Cover Rain CRC-15 Pro-Light protects against rain and dust for DVX200, PXW-FS5, FS7
Rode VideoMic Pro+ Plus VMP+ – On-Camera Microphone
Manfrotto Lastolite Fabric Diffuser 1.25S 1.1x1.1m 1.25 Stop for SMALL Skylite Rapid Frame LR811
Benro GoAdapter Monopod Connector Female to Female Thread
PortKeys D-Tap To 5-Pin Aviation Power Cable, Compatible With Lh5P And Lh5H Monitors (1M)
Miller CX2 75 Sprinter II 2 Stage Carbon Fibre Tripod System
Haida NanoPro Magnetic Filter Kit - 82mm
Canon XA70 4K Camcorder
3 Legged Thing LV-CL Lever Clamp
Antari Z350 700W Faze Machine with on board controls and DMX
SmallRig Cage for FUJIFILM X-S20 4230
Okko Pro / CPL Circular Polarizer Filter 40.5mm
Sound Devices MixPre-3 II Field Mixer / Recorder - 3 Preamp, 5 Channel, 5 Track, 32-Bit Float
Pelican 1060 Micro Case Clear With Yellow
Benro GoRail 2 | 70cm Long
SmallRig Lightweight Side Handle for Smartphone Cage 2772
Canson PhotoGloss Premium RC 270gsm A4 25 Sheets
Rycote Replacement Lyres & Cable Clip, Super-Blimp NTG
Rosco Flexcoat 7120 19L
Okko Pro / Slim UV Protector Lens Filter 40.5mm
Beamz BUV93 LED UV Bar 8 x 3W
Ilford Galerie Metallic Gloss 24'' Roll (61.0cm x 30m) 260 gsm
PSC Garfield Hush Lav Lavalier Microphone Quieting Sleeves White 15 Pack
Pelican 1020 Micro Case Clear With Black
Benro GoCoupler 1 | 90 deg
Okko Pro / Slim UV Protector Lens Filter 49mm
Benro Universal Camera L-Bracket
Dynacore DN-310S Battery V-Lock USB 14.8V 310Wh
Avenger C461-1 Eye Coupler LP 28mm TV Spigot Range 48-52mm 220kg Payload Alum Alloy Spigot 28mm
Canson Infinity Arches Aquarelle Rag 310gsm A3+ 25 Sheets






