With its matte watercolour texture, this paper is a genuine mould-made paper in bothlookand feel.
William Turner is ideal for reproductions of traditional artworks and also for striking and expressive photo reproductions.
Natural White, 100% cotton rag content.
Specifications
Please note: Specifications are provided as a guide only.
We try very hard to keep these up to date and correct, but if a particular specification is really critical to you, then please double check the specification directly with the manufacturer. Some features may of course have caveats not fully described here.
To get more information about a particular specification, use the arrow to get a ‘Specxplanation’.
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ConstructionFibre Based
Papers are constructed in two main ways:
Resin Coated papers are the modern approach. These use less fibre and replace the fibre with resin (a nice name for plastic). This means these papers are cheap, strong and robust, but tend to be less attractive to the touch and accept less ink. They tend to have a clinical appearance and it’s hard to write on the back of them. They tend to be popular in the consumer and wedding/portrait markets.
Fibre Based papers are traditional papers made without plastic, using only plant fibres. These tend to accept more ink and have a more attractive appearance, and these are the papers most of our customers favour.
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Substrate100% Cotton
What is the paper base made from?
Possibilities include:
- Wood Pulp – the most common and cheapest
- Alpha Cellulose – the best part of wood pulp, separated. Generally tested as archival as cotton etc
- Cotton – the most common fine art paper fibre
- Bamboo – an ecologically friendly alternative to cotton
- Mulberry & more – many other plant fibres can be used to make archival paper
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Paper Weight310 gsm
In ‘gsm’ – grams per square metre.
Not, technically, the same as paper thickness, but obviously correlated. The heft of the paper. European art papers are traditionally generally around the 300gsm mark. Asian papers historically tended to be lighter, 100 to 200 gsm.
Papers with a higher GSM tend to have more opacity, i.e. you see less through them.
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Surface TextureMatte, Textured
What is the surface texture of the paper?
We divide this into six groups. We go by the appearance of the actual paper and not what the manufacturer might label the box with!
- Matte – smooth and texture
- Gloss – semi, gloss, and high gloss
- Double Sided – special case papers that are printable to full quality on both sides.
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White ToneWhite
What is the white tone of the paper?
- Cool White – a paper with a distinctly cool (blue) tone
- Bright White – A paper that is brighter than non brightened papers, but not overly cool
- White – a natural clean white tone for an art paper – most Photo Rag papers fall here
- Warm – a distinctly warmer, creamier paper
- Pearlescent – a distinct warm grey tone (generally found only with metallic papers)
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CoatingMicroporous
These days almost all papers are microporous coated – meaning they’ll accept inks from both dye based and pigment printers well.
In years past, some papers had a swellable coating – designed to give a greater life to prints with dye based inks but this approach has fallen out of favour.
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Compatible InksPigment Inks (use matte black)
Dye Based InksWhat ink type (dye and/or pigments) can you use with the paper?
Also, if using pigment inks and you have a choice, should you use the Matte Black or Photo Black ink?
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Optical Brighteners?
Benro Tortoise Short Centre Column #2
Brother DK11208 White Label 400 (38x90mm) labels per roll
Epson T552 - Claria EcoTank - Photo Black
Okko Pro / CPL Circular Polarizer Filter 67mm
LARH Textile High Lite 12' X 12'
LARH Textile Poly Silk White 12' X 20'
Manfrotto 375 Multiclip
Benro Tortoise 03C Carbon Fibre 3 Section Photo Tripod Twist Lock
SmallRig 1870 Extension Arm with Arri Rosette
Kaiser Fototechnik 5774 Book Holder 69/50 AR
Rycote 40/55 Reporter Mic Foam (Single)
Avenger A3043CS Stand Overhead 43 Roller C 150/432cm 40kg Payload Inc Braked Wheels
Shure A58WS-GN Foam Windscreen for SM58 / Beta58 (Green)
Benro GoAdapter Monopod Connector Female to Female Thread
Rode NTH-CABLE12 Orange (1.2m Headphone Cable in Orange)
Miller CompassX CX8 Toggle 2-Stage Alloy Tripod System With Ground Spreader
Lishuai P-Series LED Panel Bicolour 60 x 30cm 120W
Beamz AC-420 Padded Lighting Bag
SmallRig CCS2493 Cage for Sony A6600
LARH Textile Halo Frost (Magic Cloth) 12' X 20'
Manfrotto Lastolite Background Hilite 2.5x2.15m Free Standing rotatable can be used as a Softbox
LARH Textile China Silk White 20' X 20'
LARH Textile Grid Half (1/2) Silent White 12' X 12'
Benro MeFoto Backpacker Tripod Aluminium Twist Lock Black
Ercole M13-044 Half Coupler 40-50mm with 5/8" socket
Okko Pro / CPL Circular Polarizer Filter 62mm
Advance AT7 Electrical Tape Flame Retardant Yellow/Green 19mm x 20m (520/203E equivalent)
Dynacore DV-2S Sony NP-F550-type 7.2V 2200mAh
Brother DK11221 White Label 1000 (23x23mm) labels per roll
Setwear Pouch Jumbo A/C 7 x 8" Black
Rosco E-Colour Gel Sheet 205 1/2 CT Orange (CTO) 1.2m x 53cm
Inovativ 8in Evo Wheel System With Dovetail Clamp | Set Of 4
Nikon D850 Body
Pelican 1170 Case With Foam Black
Brother DK11202 White Label 300 (62x100mm) labels per roll
Setwear Glove Leather Fingerless Small Black
Belgrave Rubber Bands 500g No 12
Beamz Star Color Case 360W Wash Light Flightcase
Pelican 1400 Case With Foam Orange
Pelican 1200 Case With Foam Yellow
Zoom F1 Field Recorder + Lavalier Microphone
Think Tank Turnstyle 10 V2.0 Sling Bag (CHARCOAL)
Manfrotto 635 Clamp Super Quick Action TUV 13/55mm 15kg Payload 16mm hex socket
Benro GoRail 2 | 50cm Long
Beamz BAC302 6x12W RGBWA UV DMX
Blackmagic Design Adapter 6G BD SFP Optical Module
Benro GoRail 1 | 40cm Long
Nitto 203E Electrical Tape Orange 18mm x 20m
Benro GoKnob 2
Metabones Canon EF Lens to Blackmagic 4K T CINE Speed Booster XL 0.64x
Paterson Plastic Graduate - 22oz (600ml) PTP304
Shure A3WS Foam Windscreen for PG81-XLR (Black)
Paterson Chemical Stirrer PTP245
Epson Archival Matte Paper A4 50 sheets (189gsm)






